Instagram Memorials

The reading by Jed Brubaker, Gillian Hayes, and Paul Dourish, “Beyond the Grave: Facebook as a Site for the Expansion of Death and Mourning,” explored the ways that the living interacts with the dead on Facebook. Since Facebook also owns Instagram, I decided to look at the way that Instagram memorializes accounts.

Interestingly, they are very explicit about their policies. On the page entitled “What happens when a deceased person’s account is memorialized?” they what the features of a memorialized account. These accounts don’t look any different from regular accounts, and all of the posts the deceased person shared will still be visible. In order to memorialize an account, living users have to contact Instagram with proof of death, such as “a link to an obituary or news article.” Instagram also won’t release the login credentials of a deceased person, but they will allow someone who proves that they’re an immediate family member of the deceased to have an account removed from the site.

I think that the distinctions between a memorialized account and a regular one are very intesting. Memorialized accounts won’t appear in the “explore” page, and no changes can be made to it (including comments and followers). In this way, Instagram seems to be trying to preserve the deceased’s virtual image that they curated before their passing.

Despite all of the procedures required to memorialize an account, things still seem to go wrong occasionally. The help page “My Instagram profile has been memorialized.” helps users who have been incorrectly (or morbidly, prematurely) memorialized by Instagram. Personally, I can hardly imagine how uncanny it would be to log in to Instagram and found out that you have been deemed dead.

New Avenues for Grief

Death, especially of a loved one or a public figure, has always been difficult for people to deal with, and always will be.  Living in this world and surviving to old age means a person will see their grandparents, their parents, beloved pets, idols and role models all die, and such losses usually require a grieving process.  Everybody copes from their own traumas in their own ways, but technology has opened a door to a vastly more public sphere of mourning than almost ever before.

The death of loved ones, while traditionally a private affair that would be told to those who were close enough to the individual to need or deserve to know, is now often shared like a family newsletter.  On Facebook, Twitter, Instagram, there are countless posts mourning the loss of loved ones.  Would you want such a public display of the event of your death? Shared to thousands of people, many of which you probably don’t know?  That isn’t a very appealing thought to me, but there are some benefits of this novel and nuanced grief platform.  There is a sense in which Facebook and other social media sites make your mourning, your call for support, more immediate than even an email or a letter.  In sharing with everyone at once, we intentionally, if subconsciously, abuse people’s Fear Of Missing Out (FOMO).  This usually leads to a greater influx of messages of condolences, which have some comfort to add that is, importantly, very easy to give.

But as we know, the internet is also filled with people who dedicate themselves to antagonizing other people, even over such sensitive topics.  We all know what trolls are, but where do they come from?  Why is grief trolling worth anybody’s time?  Phillips mentions a troll she met in her research who says that a “standard response to criticism of trolling is an emphatic HEY GUYS THE POWER BUTTON IS RIGHT THERE.”  Yes, a solution to avoid trolls is not entering the public spaces where they have some rights to say what they want.  But grief and mourning pages on Facebook and other relatively, for lack of a better phrase, family-friendly platforms seem like the wrong hill to take your stand for free speech on.  Do these trolls and their motivations say something about our society?  Are we just becoming less empathetic?  I don’t think we know enough yet about the situation to say, but there is clearly a big shift happening in the way we experience loss as a culture, especially the way we express our feelings and share our condolences.

Private vs Public Personas, Trolls and Otherwise

Obviously I can’t say if this is true for everyone, but the cultivation of social media profiles involves the selection of specific images, phrases, and the aspects of one’s personality that they want to present to the world. The goal isn’t to present your whole self but a public self. Troll profiles are in an odd space between public and private in that the identities behind those profiles are anonymous even though the profiles themselves are highly public. The profiles may voice extreme versions of the troll’s ideals, or they may just say the most controversial possible thing. Phillips describes how trolls distance themselves from their profiles, referencing things the author wrote on their troll profile as if a separate, real person ran that profile. I wonder if the cultivation of social media profiles, especially when the viewer doesn’t know the person behind the profile, provide an extra sort of justification for trolls. The troll knows that one-sided profiles exist because the troll himself exists, and if the troll views social media as fake showboating, why should the troll believe in a genuine emotional response being expressed on that page? Everything posted by a certain profile contributes to a persona. Trolling evokes an emotional response that breaks that persona a bit using the trolled person’s anger.

Death: The Final Frontier

The articles read for this Wednesday’s class designated the phenomenon of technological grieving, and its responses like grief trolling, in binaries. Male/female, white/non-white, strong/weak, communal/isolated, and traditional/new feature here, not to mention the obvious digital/analog and dead/alive. Though these simplifications are often faulty, they remind of a more, for lack of a better word, primal framework.

Entering a new situation makes one aware of their vulnerabilities. Further, they must adapt toward function in order to survive or thrive there. While these changes could and often have been physical, like expansion of human civilizations, they also include abstract developments– like the internet and social media. So, too, death exists as a change that we fear (or at least think about) nearly universally often because we cannot adapt to, as far as history’s and the current world go.

So, as humans feel we have become comfortable and safe in the digital world, we use it as a tool to mitigate the effects of that other challenge, death. Megan Garber in particular wrote about the ancientness of our tendency to gather when faced with the death of someone. For millennia, versions of funerals and wakes have prompted communing to cope with death.

The digitization of those rites has made them less visceral and therefore less threatening. Too, death in a modern, American context of course still looms, but lacks the constancy it might otherwise. So, people begin to respond, or are perceived by others to respond, to death in a superficial and ultimately meaningless way nowadays. Throwing together a social media post, much less commenting on or liking one, takes less time, energy, and effort than organizing or participating in an analog memorial. The nature of social media emphasizes the performance aspect of grieving– I’m also reminded of the draconian dress and behavior codes for mourning Victorians–and in doing so clouds the motivation of mourners. Is that person posting out of real sadness, or to show off how sad they are? (The answers interconnect, as per the previously-mentioned instincts of humanity to seek out each other for comfort, but can be construed as immoral).

Thus, grief trolls emerge. I find their premise and actions abhorrent, but believe their motivation may stem from a distrust of the changing, vulnerability-inducing landscape of dealing with death.

Haunted Apple Watch

We’ve been discussing the idea of haunted media for a few classes now and after Kate Pullinger’s story Breathe began thinking about how ghosts can use technology as a medium to connect to humans. This reminded me of a minisode from the podcast My Favorite Murder where someone wrote into the hosts telling a story of a time a ghost communicated through the person’s Apple Watch (MFM Minisode 103).

For nine years the person who wrote in has celebrated New Years with another family, but a few years ago the hosts husband, Jerry, took his own life. The family has still continued hosting without him and this was the second year he was absent. When the person who wrote in got home, she checked the weather on her Apple Watch. Her weather app tells the weather using snarky language, such as “You’re gonna take these clouds and you’re gonna like them,” instead of saying cloudy. But instead of telling the weather it showed this message:

20 minutes later the app was back to giving its normal weather updates. She finishes this story by saying, “Jerry loved tech. Those that knew him decided that if he was going to send a message, a snarky weather app would totally be the platform.” She hasn’t seen a message like this since.

Messages from ghosts on modern technology such as smart watches and phones feels more invasive and eerie in a new way than we are used to. I think our culture associates the eerie and ghosts to spaces of absence such as graveyards and abandoned buildings (see Mark Fisher). But our phones and watches are extensions of ourselves and something we keep on our person at all times. Smart technology is very present in our lives, so when that safe space is invaded by the unknown, it is even more terrifying and disrupting than we are expecting. The invasion feels personal and uncanny, an experience even felt in Pullinger’s story as it uses your personal data to make it feel as if the ghost knows who and where you are.

Contagious Zombie Deers

On February 14th, I checked my phone to find the following notification: “Experts say a fatal disease causing ‘zombie’ symptoms in deer may be transmittable to humans. Here’s what to look out for.”

We had recently finished watching Dead Set for class which immediately came to mind. I remember thinking, maybe this is how the characters first contracted their zombie like disease in the show. This led me to wonder if that then meant we had the possibility of contracting something similar. The part of that notification that really struck me was the last sentence: “Here’s what to look out for”. This sentence evoked a sense of urgency and danger as I found myself wondering if there was something I needed to be on the look out for so I could avoid becoming a zombie like the characters on Dead Set.

As my curiosity continued I opened and read the Huffington Post article in its entirety. The author, Nina Golgowski, warned about the dangers of Chronic wasting disease (CWD) and also admitted that there has been no recorded transmissions from animals to humans. I also discovered that “‘To date, there is no strong evidence for the occurrence of CWD in people, and it is not known if people can get infected with CWD prions,’ the CDC’s website states.” After reading the article in it’s entirety I realized that there is not real threat on contracting this zombie disease especially because I never come in direct contact with deer and I do not eat deer meat.

This realization lead me to question zombie rhetoric and what it is used for. In the case of this article, I noticed that Golgowski used the word zombie to catch the reader’s attention so they would actually read the article. Just like the creators of Dead Set, Golgowski noticed that people are scared and terrified of not only zombies themselves but also becoming a zombie. Therefore, Zombie rhetoric can be used not only in TV shows like Dead Set, but also in the media and in scientific articles to spark interest and awareness of a phenomena.

Eight Year Gap: Similarities and Differences in Memorial/Grief Pages

After reading the two articles for Wednesday’s class, I was immediately reminded of an incident that I followed closely this past summer. On July 18, 2018 Mollie Tibbetts went missing from her small town in Iowa after she was last seen on a run. From the time I saw the news notification about her disappearance until the day that her body was found on August 21st, I was constantly checking the news and the facebook page created to help find Mollie for updates.

After reading about the Chelsea King incident in Whitney Phillip’s article, LOLing at Tragedy, I began to notice both differences and similarities in their incidents. They were both young women who disappeared on a run and were unfortunately not found until they were already dead. Both young women also had Facebook pages made for them to help authorities, friends, and family help find them after their disappearances.

As we can see the basic facts remain similar, however, the specific use of facebook for each case differs vastly because of the eight year gap of their disappearances. As explained in the article, Chelsea King’s online presence after her death was extremely problematic as the emergence of “Facebook Trolls” arose. These incidents were insensitive towards her family and those who cared about her, even if they were just intended to be light hearted like the “I Bet This Pickle Can Get More Fans than Chelsea King” page.

Eight Years later, Mollie’s internet presence was much more dignified with a lack of “Facebook Trolls” exploiting her death for funny or demeaning comments. However, her death was exploited instead by politicians. When it was discovered that Mollie’s killer is an undocumented immigrant, politicians such as President Trump began to use her death as a platform to advance their anti-immigration platform. Mollie’s father was outraged and publicly shamed the politicians for using his daughter’s death for their political agenda.

Therefore, I believe that facebook trolls are not as prevalent on online memorial/remembrance pages as they were eight years ago around the time of Chelsea King. Instead, I think that the “trolling” has moved into politics and current events where people are using tragic deaths to advance their own personal motives and agendas.

Additionally, I also think that it is interesting to compare celebrities and non-celebrities memorial/grief pages. Megan Garber’s article illuminates what occurred online when David Bowie died, however, I think it would be interesting to do a direct comparison of how people react to a celebrity and a non-celebrity death online.

People Are Immortalizing Their Loved Ones…..in Teddy Bears?

For the last two to three weeks, we have been discussing “haunted” media, as well as attempts to immortalize ourselves through technology. Since the creation of the phonograph and telephone, human beings have been consistently trying to communicate with the dead or preserve themselves after they die through the use of technology. We have thus far covered Edison’s spirit phone, voice recordings, photographs, and even modern and science fiction attempts to recreate ourselves through AI and robots on Black Mirror. However, there is a more innocuous and heartwarming yet still slightly creepy way in which people today are preserving and “communicating” with their loved ones: stuffed animals.

 

Yes, stuffed animals. Every now and then, I’ll happen across an article on my feed or timeline that shows a heartwarming video of someone listening to a loved one’s voice that has been installed in a Build-a-Bear. Usually, the people take a voice recording of a lost grandparent, parent, or child from a video or voicemail, and Build-a-Bear is able to install that recording on one of the voiceboxes for its stuffed animals.

While the results are usually quite touching, I do find the preservation of some of these deceased people using stuffed animals to fall into the realm of the eerie. Of course, everyone has their own mechanisms for coping with grief and loss, and surely a stuffed animal is one way for people to hold on to some cherished part of the person they lost.

 

Nevertheless, I wonder if the reliance on these stuffed animals may actually be preventing people from dealing with their grief and moving past it. Just as we recommend people stop following their ex-boyfriends or girlfriends for a while on social media after a rough breakup so as not to ruminate, so too might we advise someone who has lost a loved one not to rely too heavily on their Build-a-Bear replacement lest it becomes an emotional crutch and prevent them from dealing with their grief in a healthy manner.

 

I always think of the scenes from Breaking Bad where Jesse continues to call and listen to the voicemail of his deceased girlfriend as an example of how technology, while preserving the memories or voices of those we lost, can keep us from dealing with our sorrow in a healthy way.

Again, while we may continually try to immortalize ourselves or speak to those we have lost through various forms of media, we would do well to not let those efforts distract us from coping with our grief or living in the present.

An Elegy to Mortality

“Photography is an elegiac art, a twilight art.” (15)

“To take a photograph is to participate in another person’s (or thing’s) mortality, vulnerability, mutability.” (15)

As bleak as it sounds, we are always getting older, stepping closer towards death. And whether you like it or not, there is no pill, diet, or exercise in the world that will stave off the eventual decay of our organic bodies. Time continues to steadily move forward no matter if we are ready or not. That being said, we as a species have always found methods to record and archive our lives for future generations.

Photography presents an opportunity for us to immortalize a brief second in our own history and freeze that moment full of emotion and narrative. Early photography provided people a tangible representation of a memory or moment. But like memory itself, the physicality of the photo paralleled the body- aging and eventually decaying, mortal. Even the best methods of preservation cannot stave off eventual decay of old film. However, with the prominence of digital photography and online media, we are immortalizing the mortal and giving eternal life to the memories these photos contain.

I titled this post “An Elegy to Mortality” because photographs, specifically ones that have been digitized and posted online or saved to the cloud, allow these captured stills to live on seemingly forever. Nothing is mortal anymore because it can be archived online as long as “online” exists. Though we can never truly relive a moment in our lives, digital photography, more so digital media as a whole, is the closest we can come to immortalizing events in our lives. This reading, and through writing my blog post, has made me question how I choose to remember significant life events. I know that photography, especially digital photography, allows me to never forget. But is that how I want to live? Always “remembering the good old days”? Always fondly looking back at “the hey day”? While I will still continue to take photos, I believe this article has made me realize that it is better to let time take you with it than fight against it. Being mortal means living in the moment and not letting the past keep you from moving forward.

taken from life…but in denial

I’m interested in how the dead are presented in preservations. The most obvious form of presentation would be in photographs like in ‘Taken from Life.’ That’s where I saw the most variance among the photographs. There is a general effort to beautify the dead that likely comes from our persuasion to deny death, however, its forms are many. In some photos, there is little effort to conceal the fact that the person is dead, they are simply made to look beautiful and the photographs are taken to preserve their likenesses. Other photos go to greater lengths, seeking to fool the viewer into believing the dead one is alive. In the article, all but one of this kind are group photos. It is as if the picture is aimed at preserving a past state of the group; a state where the deceased was a part of it. Even here, there are various approaches, as the young are presented as having fallen asleep while a kind of voyeuristic beauty is bestowed unto reclining young women. This isn’t to suggest that the Victorian era upper classes were full of necrophiles, but rather to postulate that the deceased were often presented in idealized states in these photographs, often going so far as to glow in crisper color than the others by nature of their stillness. This idealism is so contrary to death that it might ease the grieving process. Nowadays, there’s no need for it as most of us are photographed daily, and this has made us averse to the process, but I’d have a hard time believing that these photographs were taken because the people were more comfortable with death.