Death, Sharks, Localization

Cleaning up the town of Sharks involves a various step measure. First the streets and then the arcade. Real consequences presented themselves during the fight with Frank. Frank had two knives and then killed Ness! “Ness decided to return after summoning all the courage and energy he had.” I do not know how mustering up […]

Cleaning up the town of Sharks involves a various step measure. First the streets and then the arcade. Real consequences presented themselves during the fight with Frank. Frank had two knives and then killed Ness! “Ness decided to return after summoning all the courage and energy he had.” I do not know how mustering up courage is enough to return from a knife attack.

After various multiple attempts Ness finally defeated Frank. However, a second battle takes place with Frankystein Mark II. That also took several attempts.

Frankystein Mark II

Frankystein Mark II

There were various important things to do that were overlooked over the course of the three gameplays. I had access to an ATM and I was carrying a debit card that my in game dad had loaned me. It contained about $210 but it felt as if though the amount would fluctuate. This was important as I was able to upgrade to stronger weapons with the new found allowance. The town of Onett has so much to offer yet I still felt completely lost.

When attempting to make sense of Ness’ adventure thus far, the comparison I can make is to the Grand Theft Auto franchise. Remove the bloody death scenes, stealing cars, sex and add a meteor and psychic abilities and you get Earthbound. You get the violence early on by “taming” wild animals and eventually the “Sharks.” But as an adult playing through it, I definitely know Ness was not a match for a gang leader with two pocket knifes and the alluded to gun earlier in the arcade.

The game does not take itself too serious which really makes Eagleland worth discovering. Sadly, the Earthbound series was a victim of translation problems, specifically lack of translation and localization of the final game in the series, Mother 3: “Nintendo’s American branch decided that translating the game would be too much work, and too expensive a project, given the limited audience they expected the game to have.” [1] The reason why this is a dilemma is because Earthbound has a great following as well as its potent ability to send the video game community into chaos at moments notice. [2] Maybe if Nintendo has any faith left, they might decide to translate after summoning all the courage and energy they have of attaining success with the localization.

In all its un-localized glory

In all its un-localized glory

1. Anna Anthropy, Rise of the Videogame Zinesters (New York: Seven Stories Press, 2012), 80.
2. Jason Schreier, “The Mother 3 Rumors Are Getting Intense,” Kotaku, February 4, 2016, http://kotaku.com/the-mother-3-rumors-are-getting-intense-1757072418.

Zelda Nostalgia

Having played a lot of Zelda on the Gameboy Advance as a kid (A Link To The Past, Oracle of Seasons/Ages) but very little on any major consoles (my parents never let me have a game console more than the gameboy my grandparents gave me when I was growing up) I was really interested to… Continue reading Zelda Nostalgia

Having played a lot of Zelda on the Gameboy Advance as a kid (A Link To The Past, Oracle of Seasons/Ages) but very little on any major consoles (my parents never let me have a game console more than the gameboy my grandparents gave me when I was growing up) I was really interested to play this game. The puzzle-based game mechanics that I loved in the previous Zelda games I had played were clearly present and apart from a few differing mechanics and graphic differences (the largest being the 3d/2d difference between GBA and Nintendo 64 games) I felt very much at home in the world of Ocarina of Time. I found the ambient nature of the graphics, especially in Kokiri Forest where the player starts, to be very relaxing and nostalgia-inducing at the same time. The music and sound design are the elements of the game that I have been most consistently impressed and awed by, with a music-based puzzle mechanic and music-based story elements fitting perfectly with the atmosphere of the game and story. I can recognize many of the sound effects from both my time playing other Zelda games but also from music and more general recent media, as the sounds in Zelda have become such recognizable cultural artifacts that they’re maybe even more commonly heard in digital media now than when the game was made. From a 2016 retrospective perspective, it’s very impressive to see how many of the Zelda games were constructed in a way that would let them age well. Despite improving graphics, physics engines, audio quality, and general game mechanic and technological improvement, I have found Ocarina of Time incredibly enjoyable to play and personally believe that it is still very much worth playing in 2016.