For the comparative analysis project I examined J-horror film Kairo (Pulse) and George Saunders’ “Escape from Spiderhead.” Below is my podcast!
[soundcloud url=”https://api.soundcloud.com/tracks/310058331″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]References:
- Cohen, Jeffrey Jerome. “Monster Culture (Seven Theses).” Monster Theory : Reading Culture. Minneapolis: University of Minnesota Press, 1996. Web.
- Iles, Timothy. The Crisis of Identity in Contemporary Japanese Film : Personal, Cultural, National. Leiden: Brill, 2008. Web. Brill’s Japanese studies library, v. 30; Brill’s Japanese studies library, v. 30.
- Pinedo, Isabel. “Recreational Terror: Postmodern Elements of the Contemporary Horror Film.” Journal of Film and Video 48.1/2 (1996): 17-31. Print.
- Skloot, Rebecca. The Immortal Life of Henrietta Lacks. New York: Crown, 2010. Print.
- Wada-Marciano, Mitsuyo. Japanese Cinema in the Digital Age. N.p.: U of Hawaii, 2012. Project Muse. Web.
- Zielinski, Sarah. “Henrietta Lacks’ ‘Immortal’ Cells.” Smithsonian.com. Smithsonian Institution, 22 Jan. 2010. Web. 01 Mar. 2017.