{"id":284,"date":"2020-02-06T22:27:57","date_gmt":"2020-02-06T22:27:57","guid":{"rendered":"https:\/\/courses.digitaldavidson.net\/elit20\/?p=284"},"modified":"2020-02-07T03:46:12","modified_gmt":"2020-02-07T03:46:12","slug":"blurring-the-line-between-reality-and-creativity","status":"publish","type":"post","link":"https:\/\/courses.digitaldavidson.net\/elit20\/2020\/02\/06\/blurring-the-line-between-reality-and-creativity\/","title":{"rendered":"Blurring the line between reality and creativity"},"content":{"rendered":"<p><span style=\"font-weight: 400\">In anticipation of Matthew Kirkpatrick\u2019s visit to class, I completed the assigned homework of navigating his two works <\/span><i><span style=\"font-weight: 400\">A Moment Ago<\/span><\/i><span style=\"font-weight: 400\"> and <\/span><i><span style=\"font-weight: 400\">The Silent Numbers<\/span><\/i><span style=\"font-weight: 400\">. I began with <\/span><i><span style=\"font-weight: 400\">A Moment Ago<\/span><\/i><span style=\"font-weight: 400\">. Ever-changing, this piece randomly collects text from various online news sources. Once the user tries to click on, or even hover the mouse over, a part of the linked text, another stream of text appears. The constant evolution of <\/span><i><span style=\"font-weight: 400\">A Moment Ago<\/span><\/i><span style=\"font-weight: 400\"> at first overwhelms the user, but eventually she becomes familiar with the onslaught of information and settles into her role as a player, a reader, and an observer. Kirkpatrick\u2019s second work is more guided; <\/span><i><span style=\"font-weight: 400\">The Silent Numbers<\/span><\/i><span style=\"font-weight: 400\"> invites the player along as the game reveals various developments to the player. These reveals, however, are accompanied by audio that existed as legitimate radio transmissions. Thus, as the player goes through the piece she is reading Kirkpatrick\u2019s words as she listens to the spoken numbers. This combination elevates the material because, similar to <\/span><i><span style=\"font-weight: 400\">A Moment Ago<\/span><\/i><span style=\"font-weight: 400\">, the authenticity of the audio components (the news content for <\/span><i><span style=\"font-weight: 400\">A Moment Ago<\/span><\/i><span style=\"font-weight: 400\">) grounds Kirkpatrick\u2019s textual and stylistic additions.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Kirkpatrick\u2019s visit as well as his work led me to further consider how creators incorporate real-world activity into art. I have also been thinking about the boundary between fiction and nonfiction, especially in regard to contemporary realistic literature. From there, I think of the line between personal experience and imagined situations\u2014 I predict there to be fewer differences in terms of plausibility between the two than one might initially expect. Interesting that even his novel <\/span><i><span style=\"font-weight: 400\">The Ambrose J. and Vivian T. Seagrave Museum of 20th Century American Art <\/span><\/i><span style=\"font-weight: 400\">adopts a form that blends the established line between print and electronic literature. Both <\/span><i><span style=\"font-weight: 400\">A Moment Ago <\/span><\/i><span style=\"font-weight: 400\">and <\/span><i><span style=\"font-weight: 400\">The Silent Numbers<\/span><\/i><span style=\"font-weight: 400\"> reminded me of the proximity that communication allows, and seeing that proximity develop in the two pieces forced me to consider the implications of genre distinctions and other distinctions in general; it\u2019s more similar than we\u2019d think.\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In anticipation of Matthew Kirkpatrick\u2019s visit to class, I completed the assigned homework of navigating his two works A Moment Ago and The Silent Numbers. I began with A Moment Ago. Ever-changing, this piece randomly collects text from various online news sources. Once the user tries to click on, or even hover the mouse over, &#8230;<\/p>\n","protected":false},"author":265,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[13],"tags":[],"class_list":["post-284","post","type-post","status-publish","format-standard","hentry","category-group-b"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/courses.digitaldavidson.net\/elit20\/wp-json\/wp\/v2\/posts\/284","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.digitaldavidson.net\/elit20\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/courses.digitaldavidson.net\/elit20\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/courses.digitaldavidson.net\/elit20\/wp-json\/wp\/v2\/users\/265"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.digitaldavidson.net\/elit20\/wp-json\/wp\/v2\/comments?post=284"}],"version-history":[{"count":1,"href":"https:\/\/courses.digitaldavidson.net\/elit20\/wp-json\/wp\/v2\/posts\/284\/revisions"}],"predecessor-version":[{"id":285,"href":"https:\/\/courses.digitaldavidson.net\/elit20\/wp-json\/wp\/v2\/posts\/284\/revisions\/285"}],"wp:attachment":[{"href":"https:\/\/courses.digitaldavidson.net\/elit20\/wp-json\/wp\/v2\/media?parent=284"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/courses.digitaldavidson.net\/elit20\/wp-json\/wp\/v2\/categories?post=284"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/courses.digitaldavidson.net\/elit20\/wp-json\/wp\/v2\/tags?post=284"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}