{"id":63,"date":"2020-01-11T00:00:18","date_gmt":"2020-01-11T00:00:18","guid":{"rendered":"http:\/\/courses.digitaldavidson.net\/elit20\/?post_type=jetpack-portfolio&#038;p=63"},"modified":"2020-02-25T22:15:45","modified_gmt":"2020-02-25T22:15:45","slug":"random-automatic","status":"publish","type":"jetpack-portfolio","link":"https:\/\/courses.digitaldavidson.net\/elit20\/portfolio\/random-automatic\/","title":{"rendered":"The Random and Automatic (Weeks 6-8)"},"content":{"rendered":"<p><em>What\u2019s the history of randomness in art and literature? How does randomness upset our notions of originality and authorship? And what happens when literature is like a film, unspooling in front of us, beyond our control?<\/em><\/p>\n<h2>Monday, February 17 (Week 6)<\/h2>\n<ul type=\"disc\">\n<li>Rettberg, &#8220;Combinatory Poetics&#8221; (chapter 2) from <em>Electronic Literature<\/em>, pp. 20-37<\/li>\n<li><a href=\"https:\/\/nickm.com\/memslam\/love_letters.html\">One<\/a> and <a href=\"http:\/\/www.gingerbeardman.com\/loveletter\/\">two<\/a> implementations\u00a0of Christopher Strachey&#8217;s Love Letter Generator (1952)<\/li>\n<li>An implementation of Theo Lutz&#8217;s <a href=\"https:\/\/nickm.com\/memslam\/stochastic_texts.html\">Stochastic Texts<\/a> (1959)<\/li>\n<li>An implementation of Alison Knowles and James Tenney&#8217;s <a href=\"https:\/\/zachwhalen.net\/pg\/dust\/\">A House of Dust<\/a> (1967)<\/li>\n<li>Blog (Round 3): Group A<\/li>\n<\/ul>\n<h2>Wednesday, February 19<\/h2>\n<ul>\n<li>Introduction of <a href=\"https:\/\/courses.digitaldavidson.net\/elit20\/tracery-project\/\">Tracery Project<\/a><\/li>\n<li>Tracery Workshop<\/li>\n<\/ul>\n<h2>Friday, February 21<\/h2>\n<ul type=\"disc\">\n<li>Rettberg, &#8220;Combinatory Poetics&#8221; (chapter 2) from <em>Electronic Literature<\/em>, pp. 38-48<\/li>\n<li>Jason Nelson, <a href=\"http:\/\/collection.eliterature.org\/2\/works\/nelson_thisishowyouwilldie.html\">&#8220;This is How You Will Die&#8221;<\/a> (2005)<\/li>\n<li>Nick Montfort and friends, <a href=\"https:\/\/nickm.com\/taroko_gorge\/\">&#8220;Taroko Gorge&#8221;<\/a> (2009)<\/li>\n<li>Blog (Round 3): Group B<\/li>\n<\/ul>\n<h2>Monday, February 24 (Week 7)<\/h2>\n<ul type=\"disc\">\n<li>Rettberg, &#8220;Combinatory Poetics&#8221; (chapter 2) from <em>Electronic Literature<\/em>, pp. 49-53<\/li>\n<li>Amaranth Borsuk, Kate Durbin, and Ian Hatcher, <a href=\"https:\/\/itunes.apple.com\/us\/app\/abra-a-living-text\/id969877028?mt=8\">Abra: a living text<\/a> (2017)<\/li>\n<li>In class: Selected Bots<\/li>\n<li>Blog (Round 3): Group C<\/li>\n<\/ul>\n<h2>Wednesday, February 26<\/h2>\n<ul type=\"disc\">\n<li>Rettberg, &#8220;Kinetic and Interactive Poetry&#8221; from <em>Electronic Literature<\/em>, pp. 137-143<\/li>\n<li>Young-hae Chang Heavy Industries, <a href=\"http:\/\/www.yhchang.com\/DAKOTA.html\">Dakota<\/a> (2002)<\/li>\n<li>Jessica Pressman, <a href=\"https:\/\/www.dropbox.com\/s\/u2p4kfpqk63qo79\/Pressman%20-%20Speed%20Reading.pdf?dl=0\">\u201cSpeed Reading\u201d<\/a> from <em>Digital Modernism: Making It New in New Media<\/em> (2014), pp. 78-100<\/li>\n<li>Blog (Round 3): Group D<\/li>\n<\/ul>\n<h2>Friday, February 28<\/h2>\n<ul type=\"disc\">\n<li>Tracery Workshop<\/li>\n<\/ul>\n<h2>Monday, March 2 &#8211; Friday, March 5 (Week 8)<\/h2>\n<ul>\n<li>Spring Break &#8211; No Class<\/li>\n<\/ul>\n<p><strong>Header: <\/strong><a href=\"https:\/\/unsplash.com\/photos\/m4sGYaHYN5o\">Floating Dice<\/a> photo by <a href=\"https:\/\/unsplash.com\/@rihok\">Riho Kroll<\/a> on Unsplashed<\/p>\n","protected":false},"excerpt":{"rendered":"<p>What\u2019s the history of randomness in art and literature? How does randomness upset our notions of originality and authorship? And what happens when literature is like a film, unspooling in front of us, beyond our control? Monday, February 17 (Week 6) Rettberg, &#8220;Combinatory Poetics&#8221; (chapter 2) from Electronic Literature, pp. 20-37 One and two implementations\u00a0of &#8230;<\/p>\n","protected":false},"author":1,"featured_media":20,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"footnotes":""},"jetpack-portfolio-type":[7],"jetpack-portfolio-tag":[],"class_list":["post-63","jetpack-portfolio","type-jetpack-portfolio","status-publish","format-standard","has-post-thumbnail","hentry","jetpack-portfolio-type-february-17-march-5"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/courses.digitaldavidson.net\/elit20\/wp-json\/wp\/v2\/jetpack-portfolio\/63","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.digitaldavidson.net\/elit20\/wp-json\/wp\/v2\/jetpack-portfolio"}],"about":[{"href":"https:\/\/courses.digitaldavidson.net\/elit20\/wp-json\/wp\/v2\/types\/jetpack-portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/courses.digitaldavidson.net\/elit20\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.digitaldavidson.net\/elit20\/wp-json\/wp\/v2\/comments?post=63"}],"version-history":[{"count":11,"href":"https:\/\/courses.digitaldavidson.net\/elit20\/wp-json\/wp\/v2\/jetpack-portfolio\/63\/revisions"}],"predecessor-version":[{"id":453,"href":"https:\/\/courses.digitaldavidson.net\/elit20\/wp-json\/wp\/v2\/jetpack-portfolio\/63\/revisions\/453"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/courses.digitaldavidson.net\/elit20\/wp-json\/wp\/v2\/media\/20"}],"wp:attachment":[{"href":"https:\/\/courses.digitaldavidson.net\/elit20\/wp-json\/wp\/v2\/media?parent=63"}],"wp:term":[{"taxonomy":"jetpack-portfolio-type","embeddable":true,"href":"https:\/\/courses.digitaldavidson.net\/elit20\/wp-json\/wp\/v2\/jetpack-portfolio-type?post=63"},{"taxonomy":"jetpack-portfolio-tag","embeddable":true,"href":"https:\/\/courses.digitaldavidson.net\/elit20\/wp-json\/wp\/v2\/jetpack-portfolio-tag?post=63"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}