{"id":674,"date":"2017-02-28T19:51:16","date_gmt":"2017-02-28T19:51:16","guid":{"rendered":"http:\/\/courses.digitaldavidson.net\/dig215\/?p=674"},"modified":"2017-02-28T19:55:19","modified_gmt":"2017-02-28T19:55:19","slug":"comparative-horror-analysis-project","status":"publish","type":"post","link":"https:\/\/courses.digitaldavidson.net\/dig215\/2017\/02\/28\/comparative-horror-analysis-project\/","title":{"rendered":"Comparative Horror Analysis Project"},"content":{"rendered":"<p>Listen to my podcast below![googleapps domain=&#8221;drive&#8221; dir=&#8221;file\/d\/0B7Sk-h6zVixtel9Na0RNcmpmZXc\/preview&#8221; query=&#8221;&#8221; width=&#8221;640&#8243; height=&#8221;480&#8243; \/]\n<p>Here are the citations for my two outside references:<\/p>\n<p>Carey, Katherine M. &#8220;The Aesthetics of Immediacy and Hypermediation: The Dumb shows in Webster&#8217;s the White Devil.&#8221; <em>New Theatre Quarterly<\/em> 23.89 (2007): 73-80. <em>ProQuest. <\/em>Web. 26 Feb. 2017<\/p>\n<p>L\u00f3pez, Ilse Marie Bussing. &#8220;Architecture, Technology and the Uncanny: Infiltrating Space in &#8220;The Veldt&#8221; and in &#8220;The Digital House Project&#8221;.&#8221; <em>Revista de Lenguas Modernas<\/em>.25 (2016): 102-11. <em>ProQuest. <\/em>Web. 26 Feb. 2017.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Listen to my podcast below![googleapps domain=&#8221;drive&#8221; dir=&#8221;file\/d\/0B7Sk-h6zVixtel9Na0RNcmpmZXc\/preview&#8221; query=&#8221;&#8221; width=&#8221;640&#8243; height=&#8221;480&#8243; \/] Here are the citations for my two outside references: Carey, Katherine M. &#8220;The Aesthetics of Immediacy and Hypermediation: The Dumb shows in Webster&#8217;s the White Devil.&#8221; New Theatre Quarterly 23.89 (2007): 73-80. ProQuest. Web. 26 Feb. 2017 L\u00f3pez, Ilse Marie Bussing. &#8220;Architecture, Technology and &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/courses.digitaldavidson.net\/dig215\/2017\/02\/28\/comparative-horror-analysis-project\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Comparative Horror Analysis Project&#8221;<\/span><\/a><\/p>\n","protected":false},"author":110,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[103],"tags":[],"class_list":["post-674","post","type-post","status-publish","format-standard","hentry","category-comparative-horror"],"_links":{"self":[{"href":"https:\/\/courses.digitaldavidson.net\/dig215\/wp-json\/wp\/v2\/posts\/674","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.digitaldavidson.net\/dig215\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/courses.digitaldavidson.net\/dig215\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/courses.digitaldavidson.net\/dig215\/wp-json\/wp\/v2\/users\/110"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.digitaldavidson.net\/dig215\/wp-json\/wp\/v2\/comments?post=674"}],"version-history":[{"count":3,"href":"https:\/\/courses.digitaldavidson.net\/dig215\/wp-json\/wp\/v2\/posts\/674\/revisions"}],"predecessor-version":[{"id":678,"href":"https:\/\/courses.digitaldavidson.net\/dig215\/wp-json\/wp\/v2\/posts\/674\/revisions\/678"}],"wp:attachment":[{"href":"https:\/\/courses.digitaldavidson.net\/dig215\/wp-json\/wp\/v2\/media?parent=674"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/courses.digitaldavidson.net\/dig215\/wp-json\/wp\/v2\/categories?post=674"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/courses.digitaldavidson.net\/dig215\/wp-json\/wp\/v2\/tags?post=674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}