{"id":1637,"date":"2017-05-01T14:18:27","date_gmt":"2017-05-01T18:18:27","guid":{"rendered":"http:\/\/courses.digitaldavidson.net\/dig215\/?p=1637"},"modified":"2017-05-01T14:18:27","modified_gmt":"2017-05-01T18:18:27","slug":"afraid-of-everyone-who-wasnt-them-an-examination-of-interconnected-stories","status":"publish","type":"post","link":"https:\/\/courses.digitaldavidson.net\/dig215\/2017\/05\/01\/afraid-of-everyone-who-wasnt-them-an-examination-of-interconnected-stories\/","title":{"rendered":"Afraid of Everyone Who Wasn&#8217;t Them: An Examination of Interconnected Stories"},"content":{"rendered":"<p><span style=\"font-weight: 400\">As I continue to read <\/span><i><span style=\"font-weight: 400\">Station Eleven<\/span><\/i><span style=\"font-weight: 400\">, I grow increasingly more receptive of shifts in structure, content, and time. I was particularly struck by the structure of chapters 30-37, which established a clear and straight-forward alternation between Frank and Jeevan\u2019s narrative with Kristen and Francois\u2019s interview. After a closer examination of these chapters, I realized that a lot of the thematic elements that are present in the novel are similar to ones we explored after watching <\/span><i><span style=\"font-weight: 400\">Dead Set<\/span><\/i><span style=\"font-weight: 400\">, especially when Emily St. John Mandel writes, \u201cThey were afraid of everyone who wasn\u2019t them\u201d (176). Watching the world become slowly unpopulated by humans through the eyes of humans in danger was skillfully portrayed in both narratives, even though the circumstances in each were incredibly different. When the Internet blinked out for Jeevan and Frank in <\/span><i><span style=\"font-weight: 400\">Station Eleven, <\/span><\/i><span style=\"font-weight: 400\">my mind immediately raced to the scenes in <\/span><i><span style=\"font-weight: 400\">Dead Set <\/span><\/i><span style=\"font-weight: 400\">when Patrick and Pippa were stuck in the green room with no means of communication as well as the failure of technology when Riq tried to reach out to Kelly while stranded at a railway station. I then paired all of these images of abandonment and isolation with an incredibly poignant facet of Jeevan\u2019s thought process as his world comes to an end: \u201chow human the city is, how human everything is\u201d (178). Humans hold society together and when society vanishes, (as it does in <\/span><i><span style=\"font-weight: 400\">Station Eleven <\/span><\/i><span style=\"font-weight: 400\">and <\/span><i><span style=\"font-weight: 400\">Dead Set)<\/span><\/i><span style=\"font-weight: 400\"> survival becomes the priority, which translates into the competition between humans to outlive one another. This can be seen through the presence of guns in <\/span><i><span style=\"font-weight: 400\">Station Eleven <\/span><\/i><span style=\"font-weight: 400\">and <\/span><i><span style=\"font-weight: 400\">Dead Set. <\/span><\/i><span style=\"font-weight: 400\">Even though both narratives show the the painful reality of the brutal competition for survival, they more subtly highlight the importance of camaraderie during times of chaos and destruction. This can be seen in the comment, \u201cJeevan had never felt so close to his brother\u201d and through Kristen\u2019s recollection of how Jeevan was \u201cso calm\u201d during his attempt to save Leander\u2019s life (179, 184). Putting these alternating chapters in conversation with each other as well as examining <em>Station Eleven&#8217;s\u00a0<\/em>similarities to <\/span><i><span style=\"font-weight: 400\">Dead Set <\/span><\/i><span style=\"font-weight: 400\">makes it evident that this story, even as fantastical and unrealistic as it may seem, is a human story. \u00a0\u00a0<\/span><\/p>\n<figure id=\"attachment_1638\" aria-describedby=\"caption-attachment-1638\" style=\"width: 847px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1638 size-full\" src=\"http:\/\/courses.digitaldavidson.net\/dig215\/files\/2017\/05\/busy-city-people.jpeg\" alt=\"\" width=\"847\" height=\"567\" srcset=\"https:\/\/courses.digitaldavidson.net\/dig215\/files\/2017\/05\/busy-city-people.jpeg 847w, https:\/\/courses.digitaldavidson.net\/dig215\/files\/2017\/05\/busy-city-people-300x201.jpeg 300w, https:\/\/courses.digitaldavidson.net\/dig215\/files\/2017\/05\/busy-city-people-768x514.jpeg 768w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><figcaption id=\"caption-attachment-1638\" class=\"wp-caption-text\">A city bustling with humans. View source <a href=\"https:\/\/d2kv389z282s26.cloudfront.net\/wp-content\/blogs.dir\/1\/files\/2012\/07\/busy-city-people.jpeg\" target=\"_blank\" rel=\"noopener noreferrer\">here.<\/a><\/figcaption><\/figure>\n<p><span style=\"font-weight: 400\">Why do you think Emily St. John Mandel chooses to alternate between the stories of Frank and Jeevan and Kristen and Francois in such a deliberate way? Although Jeevan\u2019s identity is unknown to Kristen, it is evident that he impacted her in many ways. What comment does this make about the importance or lack thereof of identity in terms of interconnected stories? I think it is also important to acknowledge the importance Frank\u2019s disability &#8212; his spinal-cord injury has paralyzed him from the waist down and he must use a wheelchair to maneuver. Aligning Frank with this disability was clearly an intentional choice made by the author, but does it have broader implications? I find it interesting how Jeevan\u2019s first inclination was to be with his brother when Hua told him about the Georgia Flu, but he does not take it on himself to prevent his brother\u2019s suicide when it becomes clear that Frank is giving up hope. I would love to hear your thoughts!<\/span><\/p>\n<p><strong>Reference:<\/strong><\/p>\n<p><span style=\"font-weight: 400\">Mandel, Emily St. John. <\/span><i><span style=\"font-weight: 400\">Station Eleven<\/span><\/i><span style=\"font-weight: 400\">. New York: Vintage , a Division of Penguin Random House LLC, 2014. Print.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As I continue to read Station Eleven, I grow increasingly more receptive of shifts in structure, content, and time. I was particularly struck by the structure of chapters 30-37, which established a clear and straight-forward alternation between Frank and Jeevan\u2019s narrative with Kristen and Francois\u2019s interview. After a closer examination of these chapters, I realized &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/courses.digitaldavidson.net\/dig215\/2017\/05\/01\/afraid-of-everyone-who-wasnt-them-an-examination-of-interconnected-stories\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Afraid of Everyone Who Wasn&#8217;t Them: An Examination of Interconnected Stories&#8221;<\/span><\/a><\/p>\n","protected":false},"author":122,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-1637","post","type-post","status-publish","format-standard","hentry","category-group-b"],"_links":{"self":[{"href":"https:\/\/courses.digitaldavidson.net\/dig215\/wp-json\/wp\/v2\/posts\/1637","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.digitaldavidson.net\/dig215\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/courses.digitaldavidson.net\/dig215\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/courses.digitaldavidson.net\/dig215\/wp-json\/wp\/v2\/users\/122"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.digitaldavidson.net\/dig215\/wp-json\/wp\/v2\/comments?post=1637"}],"version-history":[{"count":1,"href":"https:\/\/courses.digitaldavidson.net\/dig215\/wp-json\/wp\/v2\/posts\/1637\/revisions"}],"predecessor-version":[{"id":1639,"href":"https:\/\/courses.digitaldavidson.net\/dig215\/wp-json\/wp\/v2\/posts\/1637\/revisions\/1639"}],"wp:attachment":[{"href":"https:\/\/courses.digitaldavidson.net\/dig215\/wp-json\/wp\/v2\/media?parent=1637"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/courses.digitaldavidson.net\/dig215\/wp-json\/wp\/v2\/categories?post=1637"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/courses.digitaldavidson.net\/dig215\/wp-json\/wp\/v2\/tags?post=1637"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}