{"id":128,"date":"2017-01-24T02:54:58","date_gmt":"2017-01-24T02:54:58","guid":{"rendered":"http:\/\/courses.digitaldavidson.net\/dig215\/?p=128"},"modified":"2017-01-24T02:54:58","modified_gmt":"2017-01-24T02:54:58","slug":"are-you-cheating-designing-relationships-in-black-mirror","status":"publish","type":"post","link":"https:\/\/courses.digitaldavidson.net\/dig215\/2017\/01\/24\/are-you-cheating-designing-relationships-in-black-mirror\/","title":{"rendered":"Are you cheating? Designing relationships in “Black Mirror”"},"content":{"rendered":"

Episode 1, Season 2 of\u00a0Black Mirror<\/em>\u00a0undertakes a close inspection\u00a0of loss and intimacy in a technologically advanced\u00a0future world. While the sudden death of Ash is shocking and heartbreaking for Martha, I found myself wondering whether this loss had in fact occurred on a smaller scale long before his physical disappearance. The episode opens on a scene characterized by disconnect; Ash is consumed by his phone and Martha recognizes his absence. She later refers to his phone as a \u201cthief\u201d, a place to which he \u201cvanishes\u201d. Her language paints the phone as a felt presence, a person or place rather than an object devoid of value or feeling. A following scene in the bedroom highlights Ash and Martha\u2019s disconnect on a more physical level. Their underwhelming sexual encounter, which leaves\u00a0much to be desired,\u00a0ends with the two rolling over and falling asleep. Romance, love, and intimacy appear to be at a slight loss although not entirely absent. We are left with a fractured romantic landscape: a normalized disconnect peppered\u00a0with moments of connection (including singing and laughing).<\/p>\n

We are first introduced to Ash, Martha,\u00a0and<\/em>\u00a0their technology as three acting forces that interact and interplay in a three-way relationship. This brings to light an important question: At what point does the interaction between administrator and application (such as Ash and his cell phone, Martha and her synthesized partner) threaten and consume human relationships? Can you\u00a0be jealous of a phone the way one would another lover? Is it cheating if you are emotionally invested in your technological device? And finally, how do we understand monogamy in a world in which a person can design their own pleasure?<\/p>\n

The concept of a technological romance is further explored in the relationship between Martha and the \u201csynthesized\u201d version of Ash. I was particularly struck by the use of this\u00a0term \u201cadministrator\u201d in reference to the relationship between Martha and this man-made being. This word adds an unprecedented power dynamic to their relationship, one in which Martha is master and commander. This control, while at first pleasing, ends in frustrating failure. Martha seeks human imperfection, not robotic precision. She wants messy love with all its bumps and burdens, sweetness and care. However, Martha is simply a customer who has purchased a product intended to fulfill her needs. Ash\u00a0is a mere construction,\u00a0reflecting\u00a0back only what she puts into\u00a0him. In this sense, his\u00a0limitation is a cruel reminder of her own; she is, for all purposes,\u00a0dating herself.<\/p>\n

Because technological devices and tools are modeled primarily around the relationship between administrator\/application, creator\/product, user\/device, I believe it\u2019s impossible for technology to ever fully replace\u00a0human relationships. More often\u00a0than not, technological relationships inspire both obsession and self-loathing: Martha\u2019s initial fascination\u00a0with her virtual partner ends with her screaming in pure grief from the cliff\u2019s edge, loathing\u00a0the very thing that she has made. We see obsession when\u00a0Ash distances himself from his painful childhood by snapping an ironic picture of an old photo with his phone, turning to the phone before he turns to Martha. For both, technology serves as a buffer from the harshness of the world around them, a virtual safe space that offers complete control and power, designed and programmed to please<\/em> in all meanings of the term.<\/p>\n

<\/a>
Black Mirror: Season 2 Episode 1. N.d. Tayla Humphris A2 Media Exam Blog. Web. 23 Jan. 2017.<\/figcaption><\/figure>\n

The interplay between human and technological romantic relationships in this episode reminded me of the movie Her<\/em><\/a> (2013) in which the main character, the lonely Theodore Twombly, engages in a romantic relationship with the voice of his operating system, Samantha. As the film progresses, the plot explores the possibilities and limitations of virtual spaces and the types of relationships they offer humans. Both Black Mirror<\/em> and Her<\/em> expose the challenges of \u201csynthesized\u201d or technological relationships and introduce the question: How do we clarify the borders between\u00a0relationships in a technologically advanced universe intent on\u00a0sharing everything?<\/p>\n

www.youtube.com\/watch?v=WzV6mXIOVl4<\/a><\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Episode 1, Season 2 of\u00a0Black Mirror\u00a0undertakes a close inspection\u00a0of loss and intimacy in a technologically advanced\u00a0future world. While the sudden death of Ash is shocking and heartbreaking for Martha, I found myself wondering whether this loss had in fact occurred on a smaller scale long before his physical disappearance. The episode opens on a scene … <\/p>\n

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