{"id":140,"date":"2019-01-22T22:42:18","date_gmt":"2019-01-23T03:42:18","guid":{"rendered":"http:\/\/courses.digitaldavidson.net\/death19\/?p=140"},"modified":"2019-01-22T22:44:15","modified_gmt":"2019-01-23T03:44:15","slug":"140","status":"publish","type":"post","link":"https:\/\/courses.digitaldavidson.net\/death19\/2019\/01\/22\/140\/","title":{"rendered":"Keeping Your Cellphone Close and Your Enemies Closer: Postmodern Horror in the Digital Age"},"content":{"rendered":"<p><strong>Caution: I am about to spoil the ending to\u00a0<em>You\u00a0<\/em>on Netflix.\u00a0<\/strong><\/p>\n<p>Why does the horror genre persist? In a sociopolitical climate where headlines are bleak, why bother seeking out fictionalized but similarly disturbing content?<\/p>\n<p>As someone who is made anxious by CNN notifications daily but also spent much of the past weekend watching Netflix&#8217;s new series<em>You\u00a0<\/em>(a series of ten episodes following a man who uses information gleaned through stalking to make a woman fall in love with him)\u00a0I am not qualified to answer. On January 10, thirteen year old Jayme Closs was <a href=\"https:\/\/www.nytimes.com\/2019\/01\/11\/us\/jake-patterson-jayme-closs.html\">discovered<\/a> almost 90 days after disappearing following the murder of her parents. The man accused of the murder and kidnapping is suspected of specifically targeting Jayme. Eleven days later, another <em>New York Times\u00a0<\/em><a href=\"https:\/\/www.nytimes.com\/2019\/01\/21\/business\/media\/netflix-you-ratings.html?action=click&amp;module=MoreInSection&amp;pgtype=Article&amp;region=Footer&amp;contentCollection=Television\">article<\/a> attempted to parse out why\u00a0<em>You\u00a0<\/em>has become such a fast favorite for binge watchers.<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"480\" height=\"270\" src=\"https:\/\/www.youtube.com\/embed\/7ZtRnIwv_FY?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p>Tasha Robinson&#8217;s\u00a0<em><a href=\"https:\/\/www.theverge.com\/2018\/8\/16\/17675474\/modern-horror-films-dead-cell-phone-trope-isolation\">Modern Horror Films Are Finding Their Scares in Dead Phone Batteries<\/a>\u00a0<\/em>for\u00a0<em>The Verge\u00a0<\/em>calls out methods directors are shoehorned into using to isolate their protagonists from life-saving technology because seemingly any plot could be stopped with a call or text.\u00a0Netflix&#8217;s<em>You<\/em> acts in opposition to these assertions. For the object of the stalker&#8217;s desire, her cellphone provides her enemy with all the information he needs in order to manipulate her. It is all the more unsettling when what is believed could be the saving grace of horror movie victims is revealed to be in alliance with the villain.<\/p>\n<p>In the end, Joe&#8217;s obsession with Beck leads him to kill her when she discovers the lengths at which he was willing to go for &#8220;love&#8221; and, unsurprisingly, is terrified instead of flattered. Joe cleans up his mess and moves on with his &#8220;normal&#8221; life with barely any trace of suspicion aimed toward him. The ending is dissatisfying to any viewer hoping to see him rot in a cell by the end of episode ten. According to Isabel Pinedo&#8217;s <em>Recreational Terror: Postmodern Elements of the Contemporary Horror Film<\/em>, postmodern reliance on deconstructing boundaries, institutions and &#8220;master narratives&#8221; like \u00a0cellphone saviors can explain why\u00a0<em>You<\/em> is particularly upsetting.<\/p>\n<p>Perhaps, though, being forced to acknowledge the illusions of fictionalized horror can still bring some satisfaction. Jayme Closs lived and we can watch her aggressor meet the fate wished upon Joe. Maybe it&#8217;s best that headlines and horror stories are consumed in tandem.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Caution: I am about to spoil the ending to\u00a0You\u00a0on Netflix.\u00a0 Why does the horror genre persist? In a sociopolitical climate where headlines are bleak, why bother seeking out fictionalized but similarly disturbing content? As someone who is made anxious by CNN notifications daily but also spent much of the past weekend watching Netflix&#8217;s new seriesYou\u00a0(a &#8230;<\/p>\n","protected":false},"author":219,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6],"tags":[],"class_list":["post-140","post","type-post","status-publish","format-standard","hentry","category-group-a"],"jetpack_shortlink":"https:\/\/wp.me\/saB9Ga-140","jetpack-related-posts":[],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/courses.digitaldavidson.net\/death19\/wp-json\/wp\/v2\/posts\/140","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.digitaldavidson.net\/death19\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/courses.digitaldavidson.net\/death19\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/courses.digitaldavidson.net\/death19\/wp-json\/wp\/v2\/users\/219"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.digitaldavidson.net\/death19\/wp-json\/wp\/v2\/comments?post=140"}],"version-history":[{"count":3,"href":"https:\/\/courses.digitaldavidson.net\/death19\/wp-json\/wp\/v2\/posts\/140\/revisions"}],"predecessor-version":[{"id":145,"href":"https:\/\/courses.digitaldavidson.net\/death19\/wp-json\/wp\/v2\/posts\/140\/revisions\/145"}],"wp:attachment":[{"href":"https:\/\/courses.digitaldavidson.net\/death19\/wp-json\/wp\/v2\/media?parent=140"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/courses.digitaldavidson.net\/death19\/wp-json\/wp\/v2\/categories?post=140"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/courses.digitaldavidson.net\/death19\/wp-json\/wp\/v2\/tags?post=140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}